Fiction Writing and the Creative Process

All of us could be players on the world stage, still the question remains why we show the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, just as in real life? Just enjoy dreams our imaginations become introduced to us on the mental screen as though we were watching television or movies. And as in dreams the real world becomes supplanted by the imagined virtual universe even though we’re fully alert. That planet still has perfect resemblance to the real one and everything happening in it seems real due to something shifting in our cognition faculty. But the mechanism which triggers our emotional responses remains unchanged and therefore we respond to this fiction in precisely the exact same way as in actual life.

Here we have some similarity with the digital reality of the modern computer technologies, which is an artificial environment created by software. It’s introduced to the audience in this manner that the individual temporarily suspends own opinion pattern and accepts it as a real atmosphere. In ways it is not different from the phenomenon of being hauled to the imagined universe of fiction, except the computer doing the task is in the mind and we don’t have any clue regarding what is the software and who is your developer.

This brings us to the cause of psychological reaction. In regard to fiction that the most common emotions are likes and dislikes that could become their more powerful types of hate and love. In real life we love or hate a person because of a few attachment through kinship, friendship, or even through indirect understanding of the individual. An individual cannot love or hate a person one does not know in any way. Attachment can also be on other living beings, material things, and even to fanciful things. We love or hate a story or even a notion. For a typical person it is not possible to live unattached to items in the world. If one can get rid of attachment, one joins the rank of educated souls who are indeed rare. We carry our ability and desire for attachment into the imaginary world of fiction. We view the characters that we come to know as the story progresses, shape our preferences, and react in the same manner like in real life except we cannot interact together physically. But we do socialize with them in our minds and hearts out of where the feelings come. So you can see that see post is a topic that you have to be mindful when you are finding out about it. However, one really vital distinction here directly relates to your own aspirations. There are always some things that will have more of an effect than others. You understand that you are ultimately the one who knows which will have the greatest impact. The remainder of this article will present you with a few more very hot tips about this.

The simple fact is that in a specific sense is fiction. Like a narrative it has a beginning, an end, and also plenty of things in between. We don’t know who writes this fiction nor will ever understand. So we have an inborn affinity with fiction and cannot fully detach ourselves from it. And maybe that is why, while studying or seeing fiction we get lost in the wonderland of creativity, but for that short period we operate exactly in the same manner as we would in the real world of our perception. In that sense fiction is just invented reality.

Theme is why fiction matters, because it is the quality that gives the narrative a universal appeal. Some state theme is what the story is all about, but that is too ephemeral a definition, which may get confused with all the idea or the plot.

Theme enriches and inspires the reader while saying something profound about the human condition. Theme is the abstract concept behind the story forming the story’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.

Theme isn’t the characters or the storyline or the original idea that started the narrative. For example, a writer could begin with the concept of exploring family connections between girls, but as his story progresses, his theme may shape up as forgiveness and understanding between different generations of females. There are some topics on which it is very hard to write any kind of story.

Theme is indicated, sometimes without the author’s understanding of it in the start; nonetheless, more seasoned writers usually work on their subject more difficult than any other part of the story as soon as they catch on to what it is they are writing about.
In non-fiction, the writer is advised to hone in to his theme and begin referring to it at the very first paragraph. In fiction, on the other hand, the motif usually flowers through the writing as the narrative progresses.

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